May 22
2009

The Goode Family – Pilot Episode Review


posted by Keith

By Keith Staskiewicz

The Goodes are the blue-state analogues of the Hills, Mike Judge’s venerable Texas-twangers who will soon be packing up the propane after a staggering 13 seasons. A bespectacled father voiced by Judge, an overweight son, a midriff-baring daughter, a cantankerous old coot of a father, and a dog named after a political figure; Judge’s creations for his new series The Goode Family, which premieres Wednesday May 27th (9:00-9:30 p.m., ET) on ABC, are the cultural and political negative images of his previous ones. Rather than chugging beer on the front lawn, the Goodes are more likely to be found swigging soy milk in their solar-powered home and then painstakingly recycling the containers.

Here’s a few clips from the pilot:

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The pater familias here is Gerald Goode, a poncho-wearing member of the liberal academe. His wife is a local activist with whom he has two children, one adopted and one biological. The dog is an unwilling vegan and they shower outside in a home-made rainwater catchment system. Read more »

Filed under: News, Review, TV Series | Tags: , ,
May 7
2009

A Review of Disney/Pixar’s Up


posted by Keith

by Keith Staskiewicz

Directors: Pete Docter and Bob Peterson
Runtime: 104 minutes
Rated: PG
Distribution: Walt Disney Pictures

Pixar has always been in the business of telling human stories. Woody and Buzz were toys, but their struggles with friendship and their fears of obsolescence were instantly relatable. The Incredibles may have been superpowered but their insecurities were all too real. Ratatouille‘s Remy the rat embodied every underappreciated artist, Marlin the fish every overprotective father, and WALL-E every hopeless romantic.

In their latest venture, Up (in theaters May 29th), Disney/Pixar finally sheds these anthropomorphic and archetypical avatars to tell the story of Carl Fredrickson, an old man who lived a very average life. After his wife passes away, he decides to realize their dream of moving to the wilderness of Venezuela, and so attaches a kaleidoscopic squadron of balloons to his house to float up and out of his urban environs. Of course, unbeknownst to him, he has himself a stowaway in the form of a chipper young Wilderness Explorer named Russell.

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They make it to South America, but must trek through the jungle and mountainous terrain to make it to Paradise Falls, on top of which Carl and his wife always hoped to live. On the way, they find themselves embroiled in scads of adventure of the deliciously pulpy variety, with sneering villains and giant dirigibles, but even as the story gets increasingly outrageous and the action more intense, the characters remain firmly grounded in reality. They are beset by packs of vicious dogs, dangerous thunderheads and a series of precipitous heights, but the real obstacles they must overcome are those of loss, abandonment and fear. Carl is one of the most three-dimensional 3D-animated characters ever put to screen. That, plus the fact that much of the violence is surprisingly un-cartoony, provides the film with quite a few moments of genuine peril.
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Feb 3
2009

Coraline Review


posted by Aaron

Director: Henry Selick
Runtime: 100 minutes
Rated: PG
Distribution: Focus Features
Review by Aaron Simpson

Coraline, nearly 4 years in the making, is a new stop-motion animated feature from first-timer LAIKA and Focus Features, and it debuts in theaters (900 of them in 3D) this Friday, February 6th. The story of a young girl who moves to Ashland, Oregon only to discover that her house is full of magical secrets was adapted from Neil Gaiman’s (The Sandman) book of the same name. While the locations have changed (the book was set in the UK), Henry Selick (The Nightmare Before Christmas) went to great lengths to preserve Gaiman’s original intent. The results are his efforts are uneven, and unlikely to capture the type of box office rapture that a film like WALL·E enjoyed, but this highly imaginative adventure is most certainly worth the price of admission.

PERSISTENCE OF VISIONARIES

Since the 1970s, there have only been 6 widely-released stop-motion feature films: The Nightmare Before Christmas, James and the Giant Peach, Chicken Run, Wallace & Gromit: The Curse of the Were-Rabbit, Corpse Bride and now Coraline. These hand-made worlds are a rare treat, crafted by a small, nomadic club of patient animators. The directors behind these films are members of an even smaller club. In fact, all six of these aforementioned films were directed by either Nick Park (a co-director), Tim Burton or Selick.
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Filed under: Feature, News, Review, Stop-motion | Tags: ,
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